1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.

Ned and Conor are forced to share a bedroom at their boarding school. The loner and the star athlete at this rugby-mad school form an unlikely friendship until it's tested by the authorities.

What if it made perfect sense for ordinary people to kill each other for money? Better than slow grinding financial ruin and misery, and all done according to a strict code by consenting adults. This is Trading.

Patrick is a warm, open, twenty-six year old virgin schizophrenic. Pills and his mother's protection means Patrick is no threat to himself or others. Until he falls in love. Maura is Patrick's obsessive mother and her need to control her son blinds her to the reality that sometimes the only thing more damaging than hate is misguided love. Soon to be redundant, alcoholic air-hostess, Karen, books into an hotel to end her life unaware that the intimacy she shares with Patrick will reintroduce her to living. Dysfunctional loner cop, Freeman, wants to be a stand-up comic, but, when Maura loses her son, Freeman will use his position to help her find him, for a price. A provocative love story about the right to intimacy for everyone Patrick's Day suggests, when it comes to love, we're all a little crazy.